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Archive for the ‘Visual Art’ Category

As a young child growing up in the 60s there were things that excited me.
The drive-in theaters, car hops, Christmas (yes Ebeneezer Grinch was excited by Christmas as a child), Easter, July 4th, Thanksgiving (in fact all the holidays), my birthdays, School, summer vacation , Vacation Bible School, Ice Cream trucks, Baseball games at Ernie Shore Field, The Dixie Classic Fair, and just riding in the car with my family, while perched on the “hump,” elbows on the back of the front seat, and watching the world go by through the front windshield.  (back before the government found the revenue stream in  mandatory seat-belt laws)  Times were simpler and there was still a little wonder and awe left in the world.

This was back in the day before the lawyers and licensing fees killed using nationally recognized characters in local advertising runs.  You can see a nod to that in the movie, “A Christmas Story” where the “Wonderful World of OZ” characters get in a tiff with Mickey Mouse and Disney Characters in the Parade.   In the 60s you could see plenty of it in local advertising. It was a tit-for-tat where the local guy got some recognition from using a nationally known character and the parent company got free publicity for their characters which they re-released every eight or nine years.   Which brings us to the item at hand.

Snow White and the Seven Dwarfs was re-released in 1967.  I was 4 years old at the time and I don’t remember if I saw it at the Drive-in or the indoor theater.  But it was about that time that the houses, and plywood cut-outs of Snow White and the Dwarfs showed up in a clearing at the corner of Silas Creek Pkwy and Reynolda Rd. I remember I would get so excited to see them when we drove out that way.  Eventually  it became a yearly Christmas tradition for our family to go drive by and see the little houses decked out for Christmas.  There was a Blue house, a Yellow house, I believe a Red on and a Green one?? or maybe one of them was white?  Any-who, it was a landmark in Winston-Salem in the late 60s – early 70s.

This past fall I caught a glimpse of  them one day when driving down Reynolda Road and told myself I needed to stop in and document what I could before they were torn down or completely rotted away. Today I made it a point to stop and go take some pics.  I parked over in Reynolda Village and crossed Reynolda Road at one of the busiest times of the day but it didn’t matter,  I was on a mission to visit a piece of my childhood 46 years after the fact.

 

It was surreal as I stood there looking at the little houses that had so fascinated me as a little boy.  As I took photos the memories of those drive by encounters with the houses and  characters I had seen as a child kept flooding my memories. Now, here I was visiting them for the first time almost a half century later.  I was a bit shocked, and excited to see one lone character still keeping guard over the little buildings, a Christmas choir boy.  It was as if live wire was laid across my memories recharging them and given them new life.  There he was, just as I remembered the Christmas scene from so long ago.  I did not disturb him.  I merely captured him for posterity.

 

These days, I find myself reminiscing more and more.  I have more days behind me than I do ahead and my mind seeks refuge from the  storms of modernity.  I know I can’t go back but I find comfort in the past… my past.  Times were just a bad, but our response to them was different.  I wasn’t old enough at the time to  understand Viet Nam, the Civil Rights movement, and the sexual revolution.  I only knew my family and the good times we shared in taking a simple drive every so often to view and to share in the  art of someone’s handiwork, who had created a visual fantasy that a small boy found joy in seeing… and an old man enjoyed finally meeting face to face.

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T minus 14 years and counting

In the year 2525… I would be in my 60’s… Oy!

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Want to increase your evangelism effectiveness?

 

Want to see an increase in the number of decisions you get each week?

 

Have we got a Program for you!

 

A Program for those who are serious about growing their church!

 …and don’t forget your breathmints

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Graham’s Magazine, March, 1846

Some Frenchman–possibly Montaigne–says: “People talk about thinking, but for my part I never think except when I sit down to write.” It is this never thinking, unless when we sit down to write, which is the cause of so much indifferent composition. But perhaps there is something more involved in the Frenchman’s observation than meets the eye. It is certain that the mere act of inditing tends, in a great degree, to the logicalisation of thought. Whenever, on account of its vagueness, I am dissatisfied with a conception of the brain, I resort forthwith to the pen, for the purpose of obtaining, through its aid, the necessary form, consequence, and precision.

How very commonly we hear it remarked that such and such thoughts are beyond the compass of words! I do not believe that any thought, properly so called, is out of the reach of language. I fancy, rather, that where difficulty in expression is experienced, there is, in the intellect which experiences it, a want either of deliberateness or of method. For my own part, I have never had a thought which I could not set down in words, with even more distinctness than that with which I conceived it:–as I have before observed, the thought is logicalised by the effort at (written) expression.

There is, however, a class of fancies, of exquisite delicacy, which are not thoughts, and to which, as yet, I have found it absolutely impossible to adapt language. I use the word fancies at random, and merely because I must use some word; but the idea commonly attached to the term is not even remotely applicable to the shadows of shadows in question. They seem to me rather psychal than intellectual. They arise in the soul (alas, how rarely!) only at its epochs of most intense tranquillity–when the bodily and mental health are in perfection–and at those mere points of time where the confines of the waking world blend with those of the world of dreams. I am aware of these “fancies” only when I am upon the very brink of sleep, with the consciousness that I am so. I have satisfied myself that this condition exists but for an inappreciable point of time–yet it is crowded with these “shadows of shadows”; and for absolute thought there is demanded time’s endurance.

These “fancies” have in them a pleasurable ecstasy, as far beyond the most pleasurable of the world of wakefulness, or of dreams, as the Heaven of the Northman theology is beyond its Hell. I regard the visions, even as they arise, with an awe which, in some measure moderates or tranquillises the ecstasy–I so regard them, through a conviction (which seems a portion of the ecstasy itself) that this ecstasy, in itself, is of a character supernal to the Human Nature–is a glimpse of the spirit’s outer world; and I arrive at this conclusion–if this term is at all applicable to instantaneous intuition–by a perception that the delight experienced has, as its element, but the absoluteness of novelty. I say the absoluteness- for in the fancies–let me now term them psychal impressions–there is really nothing even approximate in character to impressions ordinarily received. It is as if the five senses were supplanted by five myriad others alien to mortality.

Now, so entire is my faith in the power of words, that at times I have believed it possible to embody even the evanescence of fancies such as I have attempted to describe. In experiments with this end in view, I have proceeded so far as, first, to control (when the bodily and mental health are good), the existence of the condition:- that is to say, I can now (unless when ill), be sure that the condition will supervene, if I so wish it, at the point of time already described: of its supervention until lately I could never be certain even under the most favorable circumstances. I mean to say, merely, that now I can be sure, when all circumstances are favorable, of the supervention of the condition, and feel even the capacity of inducing or compelling it:–the favorable circumstances, however, are not the less rare–else had I compelled already the Heaven into the Earth.

I have proceeded so far, secondly, as to prevent the lapse from the Point of which I speak–the point of blending between wakefulness and sleep–as to prevent at will, I say, the lapse from this border–ground into the dominion of sleep. Not that I can continue the condition–not that I can render the point more than a point–but that I can startle myself from the point into wakefulness; and thus transfer the point itself into the realm of Memory–convey its impressions, or more properly their recollections, to a situation where (although still for a very brief period) I can survey them with the eye of analysis.

For these reasons–that is to say, because I have been enabled to accomplish thus much–I do not altogether despair of embodying in words at least enough of the fancies in question to convey to certain classes of intellect, a shadowy conception of their character.

In saying this I am not to be understood as supposing that the fancies or psychal impressions to which I allude are confined to my individual self–are not, in a word, common to all mankind–for on this point it is quite impossible that I should form an opinion–but nothing can be more certain than that even a partial record of the impressions would startle the universal intellect of mankind, by the supremeness of the novelty of the material employed, and of its consequent suggestions. In a word–should I ever write a paper on this topic, the world will be compelled to acknowledge that, at last, I have done an original thing.

From MARGINALIA, Edgar Allen Poe, 1844-49

http://books.eserver.org/fiction/poe/marginalia.html

In this passage we see Poe’s passion for words.  Words and their ability to capture the essence of the human condition as well as the human capacity to think and experence in the physical, emotional and psychal realms.  Yet as powerful as words are they are only representatives of the thing itself.  Marshall McLuhan coined the phrase that the “Medium is the Message,” showing the ability of the medium to influence the message.  In the case of the written word, it is but a visual representation of the idea of the thing itself.  That is the limitation we see Poe referring to in the final paragraph, “but nothing can be more certain than that even a partial record of the impressions would startle the universal intellect of mankind, by the supremeness of the novelty of the material employed, and of its consequent suggestions. In a word–should I ever write a paper on this topic, the world will be compelled to acknowledge that, at last, I have done an original thing.”   That is the great limitation of words, they only have the ability to convey the shadow of the “fancies” or the impressions… and not convey the “fancies” or the experience of the impression itself.  Such a medium would do all Mr. Poe states it would, startling the universal intellect of mankind…. it would be truly a remarkable “original” thing.

So here sit I, attempting to use words as the means to convey who or what I am, think and experience, to an empty page.  In the attempt it dawns on me how our culture is influenced by our history and our shared experiences as well as the individual experiences others have shared with us.  Poe influences those who read him, such as Alan Parsons who conceptualized some of Poe’s works in music, thereby creating a new experience for our culture.  The experience is described with words but again we are limited to to a description and not the experience itself.   It is very frustrating to be given the richness of words (an advantage we have over mere animals) and yet be limited by that advantage to mere ablility to provide a commentary of the “fancies” and the experiences… and not the thing itself. 

So… Do Androids Dream of Electric Sheep?

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Billy Sunday as: The Black Knight

Humm sounds vaguely familiar....

From the Land of Fundyism

Let’s quit fiddling with religion and do something to bring the world to Christ.

If you want to drive the devil out of the world, hit him with a cradle instead of a crutch.

I’m against sin.

I’ll kick it as long as I’ve got a foot, and I’ll fight it as long as I’ve got a fist.

I’ll butt it as long as I’ve got a head. I’ll bite it as long as I’ve got a tooth.

And when I’m old and fistless and footless and toothless, I’ll gum it till I go home to Glory and it goes home to perdition!”

Billy Sunday

“Go Git’em Billy!”
 
 

Elmer Gantry taken straight out of Billy’s playbook.

 Here’s the original! (begins @ 1:04)

Personally I thought Burt Lancaster did it better.

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